The Middle for Contemporary Art is a vibrant regional art middle with studio art courses, a summer art camp, rotating exhibitions and neighborhood outreach packages. The acclaim for Trecartin’s work and the dearth of hesitancy around his chosen medium mark a particular triumph for video art, which in the past twenty years has cemented its place as a medium to be both taken seriously and broadly utilized by artists.
This work, for instance, each lampoons the hyper-masculinity of the unique piece (Neoclassical painter Jacques-Louis David ‘s Napoleon Crossing the Alps from 1801) but also subtly presents male sexuality as a subtext—one thing rarely seen in Western art historical past.
The Aldrich is without doubt one of the few independent, non-amassing up to date artwork museums in the United States and the one museum in Connecticut dedicated to up to date artwork, and engages its numerous audiences with thought-frightening, interdisciplinary exhibitions and applications.
Drawn from the fields of pictures, painting, performance, sculpture, installation, video, movie, and public art, the works selected range widely—from Andreas Gursky’s massive-scale shade photograph of the Rhine to Ai Weiwei’s installation of children’s backpacks following the 2008 Sichuan earthquake to Kara Walker’s huge sugar sculpture in Brooklyn’s former Domino Sugar refinery.
The son of a poet who was denounced and exiled by the Chinese language government, he had made a career out of creating artworks selling freedom of expression and human rights, and within the process, challenging Chinese language cultural values and political authority.